Poetry and Theatre

Last Wednesday saw an inspiring collaboration between Excite, the Poetry’s Society’s Stanza group in Exeter, and Roots Theatre, a group of Drama students who devised their final degree performance especially for the opening day of Topsham Museum’s new season. The Drama students used the Museum’s rooms full of period furniture and artefacts as well as a selection of poems submitted by Excite members to weave together a tense family drama exploring old relationships and class divisions while harbouring a secret …. in which we, the guests, became almost involved as unexpected party guests, waiting with the actors for the arrival of the mysterious Vera.  An inventive touch was that half the audience saw one side of the story in two different rooms while the other half saw a different side of the story in two other rooms with the actors swapping places between the scenes.

Here is where I have to admit that four of the poems were actually mine (!) and the actors later explained how they had made use of them and others as a stimulus to both invent the story and to fill out their script. Someone in the audience said it was well-nigh impossible to tell where the script became the poem.

What struck me, apart from the astonishing frisson of hearing my own poem spoken by someone else, was how the poem meant one thing to me but how they had been able to use the poem in a different context.  The poems fleshed out and held important moments in the play, for instance Jennie Osborne’s poem Rose Bowl focussed on a poignant insight in the kitchen scene while my The Last Photograph ended the play, showing the close ties between two very different siblings.

I would like to commend the talented students involved – Lili, Katherine, Felicity, Isabel, David and John and wish them well in their futures. Such a brilliant idea and gives much food for thought. I think my own perspective on my writing life has been subtly changed by the insights this has given me for which I am very grateful.

Topsham Museum, by the way, is well worth a visit with its new exhibition on Topsham Families and is, remarkably, free.


About Rebecca Gethin

Rebecca Gethin is a poet and a novelist. Cinnamon Press published her third collection, All the Time in the World in 2017. Another pamphlet is forthcoming with Three Drops Press. Her second novel, What the horses heard, was published by Cinnamon Press in May 2014. Her second poetry collection - A Handful of Water - was published by Cinnamon in 2013. Her first - River is the Plural of Rain - was published by Oversteps Books in 2009. Her novel Liar Dice won the Cinnamon Press Novel Writing Award in 2010 and was published in 2011. She lives on Dartmoor and writes occasional pieces about wildlife and nature. Her poems appear in a variety of poetry magazines and in several anthologies.
This entry was posted in Rebecca Gethin. Bookmark the permalink.

4 Responses to Poetry and Theatre

  1. Congratulations Becky. The whole concept sounds fascinating… I wish I had been there!

  2. E.E. Nobbs says:

    Congratulations, Becky!

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )


Connecting to %s